#visage ﹕ * ramsey thomas .

[recklcssblues]

tags.

[miss-cigarettes]

Okay, this is getting really annoying ...

Tumblr is famous for having people who take offense even for the small thing.

So I think it's time for me to be offended.

Seriously, could people stop patrolling the Killing stalking tag and fans? Could people please stop making posts like :

"OH I READ KILLING STALKING, THERE MUST BE SOMETHING WRONG WITH ME" "I FINALLY READ KILLING STALKING, I'M SO FUCKED UP" "WOW FROM GAY SKATERS FROM PSYCHO GAYS xDDD" "HOW I WENT FROM PERFECT VICTUURI TO THIS GROSS SHIT" (yeah YOI fandom... WHYYYYYYY???) ETC... ETC...

As a fan of horror, whether in the field of filmmaking, literature, video games, manga / anime, etc ... I FIND IT TOO MUCH OFFENSIVE TO SEE PEOPLE SAYING ALL THOSE THINGS AND ALSO THAT PEOPLE WHO ENJOY THIS STORY ARE NASTY AND MENTALLY ILL...

So, all those people who have seen movies like "SAW", "Final Destination", "The Ring", "Friday The 13th", "Psycho", "The Texas Chain Saw Massacre", "The Exorcist" , etc...etc...

And those who have read amazing writers like: Edgar Allan Poe, H. P. Lovecraft, Stephen King, Clive Barker, Thomas Ligotti, Brian Lumley, Theodore Eibon Donald Klein, John Ramsey Campbell, etc ... etc ...

And also those who have played videogames like: Silent Hill saga, Alien Isolation, Amnesia, Outlast, Resident Evil, Visage, etc... etc..

and I can add some music bands and even some mangakas but my point here is:

Are they sick people who need psychological help? Are you talking seriously?

The fact that you have discovered Horror fiction and that you are enjoying it, does NOT mean that you are mentally ill or that there is something wrong with you. It means that you have discovered a new world, something that for you is new and fascinating and that is not a bad thing.

Stop treating people who are enjoying the genre of horror as if they were people with a serious mental illness who need Jesus Christ and be bathed in holy water.

This is super offensive to all those who have enjoyed this amazing genre for many years. It's as if you're targeting the gothic boy just because he dress all black and listen to "noisy" music "music of the devil" and that, according to you, he need psychological help for being a social misfit.

You are discriminating against those who like this kind of stories, you are repressing those who are now enjoying this amazing Killing Stalking manwha !!

I've seen people saying that those people who are doing Cosplays are sick people and they should stop.

What the fuck? Why don't you better shut the fuck up and move away from the Killing Stalking tag? Or why you just simply ignore what you don't like (AGAIN, USE FUCKING TUMBLR SAVIOR) and let others enjoy?

I'm too pissed right now.

[paukklatschandmore-blog]

Hier findet ihr alle Oscar Nominierungen auf einen Blick!

Best Performance Capture Artist

Sarah Saarbrücken, “Pirates of the Galaxy”

Bester Film

„Call Me by Your Name“, in Deutschland ab 1. März

„Die dunkelste Stunde“, bereits in deutschen Kinos

„Dunkirk“, schon im Herbst in Kinos

„Get Out“, vergangenen Frühsommer in den Kinos

„Lady Bird“, ab 19. April in Deutschland

„Der seidene Faden“, ab 1. Februar im Kino

„Die Verlegerin“, ab 22. Februar im Kino

„Shape of Water – Das Flüstern des Wassers“, ab 15. Februar im Kino

„Three Billboards Outside Ebbing, Missouri“, Kinostart: 25. Januar

Beste Hauptdarstellerin

Sally Hawkins, „Shape of Water – Das Flüstern des Wassers“

Frances McDormand, „Three Billboards Outside Ebbing, Missouri“

Margot Robbie, „I, Tonya“

Saoirse Ronan, „Lady Bird“

Meryl Streep, „Die Verlegerin“

Bester Hauptdarsteller

Timothée Chalamet, „Call Me by Your Name“

Daniel Day-Lewis, „Der seidene Faden“

Daniel Kaluuya, „Get Out“

Gary Oldman, „Die dunkelste Stunde“

Denzel Washington, „Roman J. Israel, Esq.“

Bester Nebendarsteller

Willem Dafoe, „The Florida Project“

Woody Harrelson, „Three Billboards Outside Ebbing, Missouri“

Richard Jenkins, „Shape of Water – Das Flüstern des Wassers“

Christopher Plummer, „Alles Geld der Welt“

Sam Rockwell, „Three Billboards Outside Ebbing, Missouri“

Beste Nebendarstellerin

Mary J. Blige, „Mudbound“

Allison Janney, „I, Tonya“

Lesley Manville, „Der seidene Faden“

Laurie Metcalf, „Lady Bird“

Octavia Spencer, „Shape of Water – Das Flüstern des Wassers“

Beste Regie

„Dunkirk“, Christopher Nolan

„Get Out“, Jordan Peele

„Lady Bird“, Greta Gerwig

„Phantom Thread“, Paul Thomas Anderson

„Shape of Water – Das Flüstern des Wassers“, Guillermo del Toro

Bester fremdsprachiger Film

„Una mujer fantástica/Eine phantastische Frau“ (Chile)

„L'insulte“ (Libanon)

„Nelyubov/Ohne Liebe“ (Russland)

„Teströl és lélekröl/Körper und Seele“ (Ungarn)

„The Square“ (Schweden)

Bester Realkurzfilm

„DeKalb Elementary“, Reed Van Dyk

„The Eleven O’Clock“, Derin Seale, Josh Lawson

„My Nephew Emmett“, Kevin Wilson, Jr.

„The Silent Child“, Chris Overton, Rachel Shenton

„Watu Wote/All of Us“, Katja Benrath, Tobias Rosen

Bester Animationsfilm

„The Boss Baby“, Tom McGrath, Ramsey Ann Naito

„The Breadwinner“, Nora Twomey, Anthony Leo

„Coco“, Lee Unkrich, Darla K. Anderson

„Ferdinand“, Carlos Saldanha

„Loving Vincent“, Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

Bester Animationskurzfilm

„Dear Basketball“, Glen Keane, Kobe Bryant

„Garden Party“, Victor Caire, Gabriel Grapperon

„Lou“, Dave Mullins, Dana Murray

„Negative Space“, Max Porter, Ru Kuwahata

„Revolting Rhymes“, Jakob Schuh, Jan Lachauer

Bester Dokumentarfilm

„Abacus: Small Enough to Jail“, Steve James, Mark Mitten, Julie Goldman

„Visages, villages“, JR, Agnès Varda, Rosalie Varda

„Ikarus“, Bryan Fogel, Dan Cogan

„Die letzten Männer von Aleppo“, Feras Fayyad, Kareem Abeed, Soren Steen Jepersen

„Strong Island“, Yance Ford, Joslyn Barnes

Bester Kurzdokumentarfilm

„Edith+Eddie“, Laura Checkoway, Thomas Lee Wright

„Heaven is a Traffic Jam on the 405“, Frank Stiefel

„Heroin(e)“, Elaine McMillion Sheldon, Kerrin Sheldon

„Knife Skills“, Thomas Lennon

„Traffic Stop“, Kate Davis, David Heilbroner

Bestes Originaldrehbuch

„The Big Sick“, Emily V. Gordon & Kumail Nanjiani

„Get Out“, Jordan Peele

„Lady Bird“, Greta Gerwig

„Shape of Water – Das Flüstern des Wassers“, Guillermo del Toro, Vanessa Taylor

„Three Billboards Outside Ebbing, Missouri“, Martin McDonagh

Bestes adaptiertes Drehbuch

„Call Me by Your Name“, James Ivory

„The Disaster Artist“, Scott Neustadter & Michael H. Weber

„Logan“, Scott Frank & James Mangold and Michael Green

„Molly’s Game“, Aaron Sorkin

„Mudbound“, Virgil Williams and Dee Rees

Beste Kamera

„Blade Runner 2049“, Roger Deakins

„Die dunkelste Stunde“, Bruno Delbonnel

„Dunkirk“, Hoyte van Hoytema

„Mudbound“, Rachel Morrison

„Shape of Water – Das Flüstern des Wassers“, Dan Laustsen

Beste Musik

„Dunkirk“, Hans Zimmer

„Der seidene Faden“, Jonny Greenwood

„Shape of Water – Das Flüstern des Wassers“, Alexandre Desplat

„Star Wars: Die letzten Jedi“, John Williams

„Three Billboards Outside Ebbing, Missouri“, Carter Burwell

Bester Filmsong

„Mighty River“ aus „Mudbound“, Mary J. Blige

„Mystery of Love“ aus „Call Me by Your Name“, Sufjan Stevens

„Remember Me“ aus „Coco“, Kristen Anderson-Lopez, Robert Lopez

„Stand Up for Something“ aus „Marshall“, Diane Warren, Common

„This Is Me“ aus „The Greatest Showman“, Benj Pasek, Justin Paul

Bester Schnitt

„Baby Driver“, Jonathan Amos, Paul Machliss

„Dunkirk“, Lee Smith

„I, Tonya“, Tatiana S. Riegel

„Shape of Water – Das Flüstern des Wassers“, Sidney Wolinsky

„Three Billboards Outside Ebbing, Missouri“, Jon Gregory

Beste visuelle Effekte

„Blade Runner 2049“, John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer

„Guardians of the Galaxy Vol. 2“, Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick

„Kong: Skull Island“, Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus

„Star Wars: Die letzten Jedi“, Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlan

„Planet der Affen: Survival“, Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

Bestes Produktionsdesign

„Beauty and the Beast“, Sarah Greenwood; Katie Spencer

„Blade Runner 2049“, Dennis Gassner, Alessandra Querzola

„Die dunkelste Stunde“, Sarah Greenwood, Katie Spencer

„Dunkirk“, Nathan Crowley, Gary Fettis

„Shape of Water – Das Flüstern des Wassers“, Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Bestes Kostüm

„Die Schöne und das Biest“, Jacqueline Durran

„Die dunkelste Stunde“, Jacqueline Durran

„Der seidene Faden“, Mark Bridges

„Shape of Water – Das Flüstern des Wassers“, Luis Sequeira

„Victoria und Abdul“, Consolata Boyle

Bester Ton

„Baby Driver“, Julian Slater

„Blade Runner 2049“, Mark Mangini, Theo Green

„Dunkirk“, Alex Gibson, Richard King

„Shape of Water – Das Flüstern des Wassers“, Nathan Robitaille, Nelson Ferreira

„Star Wars: Die letzten Jedi“, Ren Klyce, Matthew Wood

Bester Tonschnitt

„Baby Driver“, Mary H. Ellis, Julian Slater, Tim Cavagin

„Blade Runner 2049“, Mac Ruth, Ron Bartlett, Doug Hephill

„Dunkirk“, Mark Weingarten, Gregg Landaker, Gary A. Rizzo

„Shape of Water – Das Flüstern des Wassers“, Glen Gauthier, Christian Cooke, Brad Zoern

„Star Wars: Die letzten Jedi“, Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

Beste Maske

„Die dunkelste Stunde“, Kazuhiro Tsuji, David Malinowski, Lucy Sibbick

„Victoria und Abdul“, Daniel Phillips and Lou Sheppard

„Wunder“, Arjen Tuiten